Posts Tagged ‘keynote speakers’

We are thrilled to announce that Edie Meidav and Andrea Hairston have accepted our invitations to speak at this year’s WriteAngles conference.

We hope to publish our full program soon, and to include information about literary agents who will be available for individual meetings.

If you have not yet subscribed to our site, please do so and you will receive further announcements (via email) as they are made.

Registration is expected to begin about six weeks before the November 17 conference.

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Breena Clarke is this year’s featured after-lunch speaker.  She was interviewed by Liz Bedell.

Why did you become a writer? When did the writing bug first bite you?

Firstly, No biting, especially not insects. I come naturally to writing I would say. I have always been inspired by books, since my very first trip to the public library. These buildings in my childhood in Washington, D.C. were pleasant places. I majored in theater, acting at Howard University and I wrote and directed and performed plays. So I’ve always felt like a writerly person. But the thing or series of events that made me into a committed, daily, working writer began with the early death of my son, Najeeb. Motivated to record all of his life that I could remember, I began keeping small notebooks capturing thoughts and observations. A friend said that writing is like a muscle. The more exercise it gets, the stronger it becomes. I suppose I exercised my writer’s imagination through these books that I still have and that have never actually served any purpose other than as personal writing. The important part is that I began a training regimen for my mind. I consumed the good books written by others and launched into my own inquiries. I set aside time for writing, for developing an idea.

What is the most rewarding part of being a writer?

Non seriously, but with humor at self: Reading what you’ve written a few days earlier that reads well and you think, “Hey, this girl is good, who is she?”

Seriously, but not wanting to sound self-satisfied: When someone comes up to you and tells you how moved they were when they read your work or heard you read. This is the moment of greatest satisfaction for me. It comes right before the “hey, who is this girl?” moment.

And the most frustrating part of being a writer?

I don’t know that yet. I haven’t gotten there yet. My mind is still sharp, and my energy is good, so I feel productive as a writer. Productivity relieves writerly frustration for me.

Can you tell us about your most recent novel? What inspired it?

I was inspired to write ANGELS MAKE THEIR HOPE HERE by an interest in imagining the lives and community of people living outside the strictures imposed by racist white America. It’s set in mid-19th century New Jersey. Loosely based on the so-called Ramapo Mountain people, who were said to have been a tri-racial maroon community in the mid-Atlantic region, the people of Russell’s Knob privilege no color above another. And though they are insular, they welcome those who escape from oppression in the white towns. I enjoyed speculating on this somewhat utopian vision of racial amalgamation rather than separation. The novel has at its climax the horrible events of the New York City Draft Riots (July 13-16, 1863). I’ve written about Russell’s Knob on my blog.

You’re the afternoon keynote speaker for WriteAngles. Can you tell us a little bit about what you’re planning?

I’m recently very interested in speculative fiction. I’m not a fan of science fiction, but I’m intrigued by the ways people write about the future and the past, what they imagine. I’m also very excited by some millennial writers who are speculating about a world without white privilege. I’m going to share my thoughts on that topic.

What are you working on now?

I’m working on a group of short stories. I hope to collect and publish them. I’m calling them “curiosity tales” because each story has an unexpected or curious narrator or it relates unusual events.

Is there anything you would like to add?

For the past five years, I’ve been co-organizer of The Hobart Festival of Women Writers which takes place in September in Hobart, New York, the book village of The Catskills and the reading capital of New York State. We’ve hosted about eighty published women writers in all genres who’ve offered readings and workshops. We’ve forged friendships and working relationships and created a platform for women writers.

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Randy Sue Meyers will give the morning keynote talk.

Why did you become a writer? When did the writing bug first bite you?

When I was a kid, nothing was better than listening to my Aunt Thelma’s stories. She’d take humiliating, awful situations and transform them to eye-popping, comic-tragic tales. Her pain was our gain.

As a child, I made twice-weekly trips to the library. Writers were gods, purveyors of that which I needed for sustenance. Food. Shelter. Books. Those were my life’s priorities.

As an adult, I still feel that way. I’m constantly foraging for books that offer glimpses into a character’s psyche, that go deep enough to make me part of the choir, saying, “Oh yeah, me too, tell it, writer. True that, uh huh.”

And I wrote—the bug hit me early—but without discipline—and I became a writer both early and late, publishing (co-authoring) my first book in my twenties and my first novel in my fifties, when I stopped living drama and began writing it. As a writer, I’ve learned that reaching deep isn’t always comfortable. (My daughters will read this! My husband will think I’m portraying him!) But I push myself to write with a knife held to my own throat, so that my work will hold as much emotional truth as possible.

What is the most rewarding part of being a writer?

Writing transmogrifies fact into fiction, and that remove helps me understand the world around me. Writing forces me to look at angles I hadn’t previously considered and opens my mind. I used to play a song for my daughters, from FREE TO BE YOU AND ME, that swore that crying got the sad out of you. That’s kind of what writing does for me—it gets the sad, the mad, and the glad out of me. Writing calms me. Writing excites me. Writing sorts out my world.

And writing lets me tell stories. Just like Aunt Thelma.

And the most frustrating part of being a writer?

There is no doubt, for me, it’s the business end of the work.

Much is out of a writer’s control when working with a publisher, from pricing the e-book (publishers will want it as high as possible, while you may want it bought more widely and thus priced lower.) It’s often difficult to get to agreement on covers. Marketing budgets are almost nil, and that’s frustrating. One can go on and on, but, for me, the distribution network, the editing, macro and micro, the copy-editing, all of that is incredible.

Another problem is the ease people have in reviewing one’s book online, as for every generous terrific review, there can be someone who just wants to slam you—and their words live in perpetuity. I wrote about how to work with one’s hurt feelings in Soothing Words for Bad Reviews.

Can you tell us about your most recent novel? What inspired it?

THE WIDOW OF WALL STREET tells the story of a family caught in the before, during and after of a Ponzi scheme, told from two points of view: A man with a criminal hunger for wealth, and his wife, who’s unknowingly building her life, her marriage, family, and even friendships, on disappearing sand.

When a scandal unfolds, criminal and otherwise, I wonder two things: What was the self-told story the perpetrator believed that allowed him to hurt so many people? What does it do to his family?

When Bernie Madoff’s crimes came to light, I wondered what it would be like to be his wife and wake up one day to find that your entire life was built on air. When Governor Elliot Spitzer was discovered transferring money to a prostitution ring, I could only imagine the pain for his family. Every crime has multiple victims—including the family of the perpetrator.

Writing this novel allowed me to explore both sides by inhabiting the points of view of the victims and the accused. I have always needed to understand life from as many angles as possible.

You’re the morning speaker for WriteAngles. Can you tell us a little bit about what you’re planning?

Every writer takes a different path to publication, but most require talent mixed with patience, and a willingness to work hard, revise, and then work more. My journey to launching my debut novel, THE MURDERER’S DAUGHTERS, involved knowing when to hold them and when to fold them, a nonfiction book, three agents, and six novels.

How long does it take to be published is a question often asked, and one I’ll always answer honestly. For me, the journey included a homemade MFA, perseverance, and facing up to my obstacles and then removing them best as I could.

That’s the soundbite for my talk: a revelation of my blistered path to publishing my first novel at the age of 57.

What are you working on now?

My next book is due to my publisher in December, so I’m racing the clock on revision. The novel tells the story of two women who differ culturally, racially, and vocationally, coming together in what they think will be a battle against weight, but which ends up a battle in the war against women— in that arena where everyone hates a fat woman— as they are challenged to see how far they will go to be thin.

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We are pleased to announce that we have two wonderful keynoters for our fall conference on October 20. Maria Luisa Arroyo will get us started in the morning and Ann Hood will be our after-lunch speaker. Read more about them.

We hope to be able to provide our full schedule of panels and events later this month.

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